i spent a decade building worlds for television. sourcing, styling, making spaces feel alive for the camera.

everything was beautiful. nothing was meant to last.

i left hollywood. took a sabbatical in thailand. found artisans working with wood from fallen trees, making pieces by hand that mass production will never replicate. what started as sourcing became designing.

the brand lives in the gap between what's everywhere and what's out of reach — sculptural objects, handcrafted from fallen trees, arriving in drops — limited, sold direct, and gone.

the piece you collect, not purchase.

follow along — limited drops, the sourcing, and the world the pieces live in.

— liz

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